Still Beating
Still Beating

Top: The tuning mechanism found on Ruth Wall's 'Mark Norris' model. Bottom: Ruth in rehearsal at Wapping Power Station. Photos by Christopher Best

Still Beating is an intimate piece, which draws warmth and subtlety from the pulsations - or 'beats' - caused by the slight de-tuning of selected harp strings (an effect inspired by Indonesian gamelan instruments). It was composed in response to a call for works from the SPNM, as part of their 'Solo Spotlight' concert series and was premiered by Ruth Wall on 6th March 2007 at Wapping Power Station in London.

Though I was a newcomer to this instrument, I had had an idea for some time to write a piece for the larger orchestral harp, involving the microtonal de-tuning of adjacent strings. The opportunity to try out this idea on a lever harp was too good to miss, though it required a considerable re-think due to the instrument's radically different design and range. Working with Ruth was hugely rewarding. She took a little persuading before she would agree to meddle with the finely poised tuning of her instrument, but after a number of exploratory workshops and much rehearsal, our efforts began to reap great rewards.

How to purchase 

Study/performer's score £10 via Paypal (COMING SOON)

Published 
2006
Opus 
52
Duration 
c.14 mins
Instrumentation 
Scottish Lever Harp (Clarsach)
First performance 
Ruth Wall, Wapping Power Station, March 2007
Commissioned by